Introduction


I am a fiction writer. I spend a lot of my time thinking about imaginary people and their problems. It’s an odd existence, perhaps not the sort of thing grown-ups should be doing. People sometimes ask me if I had always wanted to be a writer. No, I hadn’t. When I was eight or nine, I was very sure what I wanted to be. I wanted to be an accountant. My friends, when asked what they wanted to be when they grew up, would reply “engineer!” or “doctor!” Not me. I was going to be an accountant. I couldn’t wait to be an accountant.

For me, accountants represented the height of cool. That’s because my father was as an accountant with the Government of India’s Audit Department. At dinner time, he would talk about his day at the office. He invariably made accountancy sound as exciting as exploring Mars or wind surfing or being a detective. His eyes would shine, his fingers would draw numbers in the air, and in the mornings, as he got ready for work, he would hum. I wanted a slice of the same happiness pizza.

I became a fiction writer instead. I studied to be a computer scientist, worked as a software engineer for many years, worrying about things like secure distributed databases and evolutionary computation. It was a blast, but eventually I decided to become a writer. Once, I would have drummed up plausible reasons for the shift, but these days I’m more skeptical about our supposed motives and reasons. I write because I love to write because I write. I write all kinds of stories.

When I’m cornered about genre preferences, I say I mostly work in speculative fiction. That includes things like magic realism, surrealism, fabulist fiction, slipstream, science fiction, fantasy and so on. If you’ve never heard of speculative fiction, I have an explanation right here. Or you could try Naiyer Masud’s Sheesha Ghat or a Kannada folktale, A Story And A Song. Truth is, I don’t take genre labels seriously. We must be careful not to let a division of labor become a division of laborers. This goes for writers as well as readers. Personally, I read the way a goat eats; that is, anything and everything.  I hope you do too.

My short fiction can be found in magazines such as Albedo OneInterZone, Interfictions Online, Lady Churchill’s Rosebud Wristlet, Jaggery Lit Review, Mithila Review, and Strange Horizons. My stories have been translated into Chinese, Czech, French, German, Hebrew, Hindi, Tamil, and Romanian. My debut YA novel The Beast With Nine Billion Feet (Zubaan, 2010) was shortlisted for the 2010 Vodafone-Crossword award and the 2010 Parallax prize. In 2012, Vandana Singh and I co-edited Breaking The Bow, an international anthology of short fiction inspired by ‘the’ Ramayan. My most recent work is Half Of What I Say (Bloomsbury, 2017) and it was shortlisted for the 2017 Hindu Literary Prize.

Blah, blah, blah. When I talk about writing, my eyes shine, my fingers gesture in the air, and in the mornings, as I get ready for work, I hum. Remember I said I wanted a slice of the happiness pizza? Well friend, it tastes great! I hope you’ll have as much pleasure reading my stories as I had writing them. Thank you for visiting.

ANIL MENON
iam@anilmenon.com


In The News

Papercuts Magazine, Vol. 18. , Theme: Dead Mediums; Anil Menon, guest editor. August 1, 2017.

The Punch Magazine: Interview. December 24, 2016.

The Hindu: Interview by Suneetha Balakrishan. December 10, 2016.

The Indian Express: Interview by Manjula Padmanabhan. October 10, 2016.

Review: Charles Adler’s Wizards, Aliens, and Starships: Physics and Math in Fantasy and Science Fiction.
Current Science 107(1) 2014. pp. 121-122.

Conversation with Anil Menon & Vandana Singh.
Chie and Weng Read Books
May 24, 2014

Making History: The Strange Case of Rani Padmini
The Four Quarters Magazine
Winter Edition, 2013

The Jaguar’s Wife
Interfictions Online
Fall Edition, 2013

Hacked Matter Workshop
Shanghai, China
October 19-21, 2013

Special On Indian Speculative Fiction
Strange Horizons
September, 2013

Interview with Yoshio Kobayashi
26to50.com
September, 2012

Review: Samit Basu’s Turbulence
World SF Blog
Aug 30, 2012

Neglected topics in SF
SF-Signal
Aug 15, 2012

The Meaning of Curiosity
Times of India Weekend Edition
Aug 11, 2012

Podcast: In conversation with Karen Burnham and Vandana Singh
Locus Magazine
July 27, 2012

Review: Lokenath Bhattacharya’s The Virgin Fish of Babughat
Locus Magazine
July 27, 2012

Good Reasons
Humanities Underground
June 27, 2012

Poincaré Sutra nominated for Parallax Award
Senses Five Press
August 16, 2011

Interview by Ana Leticia Sigvartsen
Norwegian Broadcasting Corporation (NRK)
June 16, 2011

World SF Blog: World Building in a Hot Climate
May 19, 2010

Hunting a Snark: On the Trail of Regional Indian SF
Trans: Juan Madrigal
Literatura Prospectiva
May 05, 2010

Interview by Venetia Ansell
Sanskrit Literature Blog
March 04, 2010

The Hindu, Kochi Metroplus Interview
Jan. 15, 2010

SF-Signal Interview
Nov. 02, 2009